This subject can be settled in the group of women from legend or the Bible who were either powerless (such as Susanna or Virginia), or only able to escape their situations by suicide (such as Dido of Carthage).
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Sometimes the story of Lucretia is depicted as in a series of engravings, in which include moments such as her spinning with her ladies and even the feast. In both situations, her clothing is loosened or absent, while Tarquinius is normally clothed.
The two moments most commonly depicted are: the rape and the suicide. In the visual arts, since the Renaissance, Lucretia’s suicide has been an enduring subject for artists such as Titian, Dürer, Botticelli, Rembrandt, Raphael, Lucas Cranach the Elder among others. Lucretia’s rape and suicide are also the subject of Shakespeare’s 1594 long poem The rape of Lucrece, which draws extensively on Ovid’s treatment of the story. Christine de Pizan used Lucretia in her City of Ladies to defend a woman’s sanctity, just as St.
In literature she appears to Dante in the section of Limbo reserved to the nobles of Rome and other “virtuous pagans” in Canto IV of the Inferno. The death of Lucretia by Eduardo Rosales (Credit of Image: Museo del Prado)ĭuring the later Middle Ages the story of Lucretia was a popular moral tale. Her death caused an outrage among those who were present and all of them vowed they would rather die than give up their liberties to the king and his son.
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Lucretia eventually asked for vengeance, and while the people were discussing how to deal with the matter, she took out a dagger and stabbed herself in the heart, dying in her father’s arms. She asked to summon witnesses and proceeded to describe in tears how she was raped by Tarquinius. The following day, Lucretia went to her father’s house, he was the chief magistrate of Rome, and took the supplicant’s position. Nevertheless, she stood firm in her devotion to her husband, even when her life and honour was threatened by Tarquinius, while raping her. Then he tried to convince her that she should be with him, using all the common arguments to influence a woman’s heart. He entered Lucretia’s room, while she was laying in her bed naked, he started to wash her belly with water which woke her up. In a different version, Tarquinius returned from the camp a few days later with one companion to take Collatinus up on his invitation and was lodged in a guest bedroom. Later in the night, Tarquinius sneaked into Lucretia’s bedroom and woke her up, offering her two options: she could could submit to his sexual advances and become his wife and future queen or he would kill her along with one of her slaves and place the bodies together, then he would claim he had caught her having adulterous sex. The party awarded her the palm of victory and Collatinus invited them to stay.
Upon their arrival, she was weaving with her maids.
There, he was warmly welcomed the governor and his wife (Lucius Tarquinius Collatinus and Lucretia).Īccording to one of the most famous versions of the story, Tarquinius and Lucius were debating the virtues of wives during a feast, and Collatinus volunteered to settle the debate proposing a ride to his home to observe his wife, Lucretia. Lucius Tarquinius Superbus, the last king of Rome was involved in a war against Ardea, and he sent his son Sextus Tarquinius to Collatia on a military mission. The tragedy, death or suicide of Lucretia by Botticelli
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